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Analyzing Through Godard’s Approach in Four Movements
The scene we’ll be talking about is from Wes Anderson’s The Royal Tenenbaums. Not my favorite of Anderson’s work, but includes one of his best, more subtle scenes: (Link) 1. Objective Description Wes...
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Analyzing Through Godard’s Approach in Four Movements II
Previous Installment The scene we’ll be talking about is from Ingmar Bergman’s masterpiece Persona. This is my favorite film of all time, and includes what I believe to be the greatest opening sequence...
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Analyzing Through Godard’s Approach In Four Movements III
Previous Installment The scene we’ll be talking about is from Hitchcock’s The Man Who Knew Too Much. It’s one of my least favorite Hitchcock’s, but provides a glaring example of his visual prowess....
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